I blogged a few articles on the iCommons blog in Dubrovnik over the last few days. Here is a link to a reflection on how one judges the success of free culture projects in a rapidly-maturing community.

What to expect from the opening plenary of a conference that is essentially about copyright? Only a few years ago it would have been a stuffy hall at the London Book Fair, in the dingy surrounds of Olympia on a rainy Saturday in April. The experts in their suits would drone on, assuming the reassuring earnestness of a doctor's bedside manner to tell us how successful they had been in prosecuting the pirates in India and how China was beginning to be copyright observant. The most dramatic we could hope for was an alarmist display of web pages showing the speed and effectiveness of the burgeoning informal online pirate economy.

Not so here at the second iCommons Summit. First of all, iCommons goes for stunning settings - last year on Copacabana Beach in Rio, this weekend in the Revelin Fort on the edge of Dubrovnik old town. This means that we come into the conference hall with the smell of pine resin in our nostrils, slightly dazzled by the brilliance of the white boats in the harbour and early morning sun reflecting off the blond stone of the old city. What we were treated to when we got inside was a bravura display from a movement that in one brief year is displaying a new confidence in the success of its alternative creative vision.

The beautiful settings hide something else that emerged very strongly in the opening plenary session and that is that iCommons is a truly global, polyglot community. It is no accident that the conferences happen in places that are off the major beat of the USA and Europe – or even the Asian industrialised powerhouses. it means that iCommons can specialize in the off-beat. It would be a mistake, though, to think that this offbeat quality means that it is lightweight. it is all a matter of how one measures success.